To the editor: Upon leaving the manufacturing of “Right here There Are Blueberries” on the Wallis Annenberg Heart for the Performing Arts, I remained shocked on the extraordinary writing and efficiency itself, the message of the banality of the Nazis who ran Auschwitz, and the startling staging with the show of discovered images.
The detailed photos and the voices onstage provided deepened historic classes and questions in regards to the mysterious twins of banal and evil. I questioned how I’d probably describe this play to associates and located myself stymied. Then the subsequent day I learn Charles McNulty’s glorious article (“How a photo of Nazis eating blueberries inspired Moisés Kaufman and Amanda Gronich’s Holocaust play,” March 14). Now I’m making copies to share, whereas sending because of McNulty for his measured ideas and phrases.
Nancy Levinson, Los Angeles
